By José Inez Taylor

"This ebook represents an important contribution to the self-discipline in that it increases very important problems with ethnographic authority and authorship. . . . certainly, it could possibly function a version for brand new how one can write ethnography." --Miguel D?az-Barriga, affiliate Professor of Sociology and Anthropology, Swarthmore university whilst a ten-year-old boy befriends a mysterious hobo in his southern Colorado fatherland within the early Nineteen Forties, he learns approximately evil in his group and takes his first steps towards manhood by way of trying to guard his new buddy from corrupt officers. although a fictional tale, Alex and the Hobo is written out of the existence reviews of its writer, Jos? Inez (Joe) Taylor, and it realistically portrays a boy's coming-of-age as a Spanish-speaking guy who needs to carve out an honorable position for himself in a class-stratified and Anglo-dominated society. during this cutting edge ethnography, anthropologist James Taggart collaborates with Joe Taylor to discover how Alex and the Hobo sprang from Taylor's lifestyles reviews and the way it offers an insider's view of Mexicano tradition and its structures of manhood. They body the tale (included in its entirety) with chapters that debate the way it encapsulates notions that Taylor realized from the Chicano stream, the farmworkers' union, his neighborhood, his father, his mom, and his faith. Taggart offers the ethnography an exceptional theoretical underpinning by means of discussing how the tale and Taylor's account of the way he created it symbolize an act of resistance to the category procedure that Taylor perceives as destroying his local tradition.

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Extra resources for Alex and the Hobo: A Chicano Life and Story

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He and Olivia both tried to put up a fight and got hurt trying to defend themselves against their field boss. He just laughed them off, but he did leave them alone and did not try to pester Olivia again. Alex did not tell his parents what had happened because he knew they would be upset, even angry, and yet they needed Olivia to continue working. The trucks returned to town and dropped off the workers at the same spot near the store, where they bought food for the following day’s lunch and then drove home or hitched a ride with family, friends, or neighbors.

By seven most had purchased tickets, and the theater doors opened, starting a stampede. Olivia lost sight of her brother but was confident he was with his friends. She and her friends were in the wave pushing to get into the theater. Alex waited for the moment when he saw Olivia swallowed up in the crowd and then ran down the street in the twilight toward Milo’s place. He slowed to a fast walk and headed toward the railroad tracks. A freight engine had been switching cars and was waiting on a siding to let a passenger train pass.

James was a little older than Alex, and he worked only when he felt like it. He was thirteen going on thirty. He smoked, and he hung around bars and pool halls. ” James did not have to answer to anyone, but Alex did not think he was as bad, deep down inside, as some said. He just acted big. Alex sensed that James liked him for some reason. Every chance he had, James would chum up to him, and sometimes he would come to Alex’s aid when other kids picked on him. James was never without money. One day, for no apparent reason, he handed Alex a handful of change: forty-two cents, to be exact.

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